Rock Music News: Infatuation takes the wheel in Amenazars latest slice of seductive soul rock, Get It O (2024)

If Incubus emanated the riff-driven raw sex appeal of Velvet Revolver and the soul of Chris Cornell, their records would run in the same red-hot vein as Amenazar’s latest single, Get it On. The Kansas City prodigal sons of soul rock are renowned for their high-energy live shows; perceptibly, their alchemic approach to new-era rock n roll resonates just as well on the airwaves, given the intoxicatingly impassioned magnetism of Get It On, which allows the seduction to run as an undertone in the si

If Incubus emanated the riff-driven raw sex appeal of Velvet Revolver and the soul of Chris Cornell, their records would run in the same red-hot vein as Amenazar’s latest single, Get it On. The Kansas City prodigal sons of soul rock are renowned for their high-energy live shows; perceptibly, their alchemic approach to new-era rock n roll resonates just as well on the airwaves, given the intoxicatingly impassioned magnetism of Get It On, which allows the seduction to run as an undertone in the si

Musician Musician
Jun 2, 2023 - 08:00
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Infatuation takes the wheel in Amenazars latest slice of seductive soul rock, Get It O

If Incubus emanated the riff-driven raw sex appeal of Velvet Revolver and the soul of Chris Cornell, their records would run in the same red-hot vein as Amenazar’s latest single, Get it On. The Kansas City prodigal sons of soul rock are renowned for their high-energy live shows; perceptibly, their alchemic approach to new-era rock n roll resonates just as well on the airwaves, given the intoxicatingly impassioned magnetism of Get It On, which allows the seduction to run as an undertone in the single which lets romantic infatuation take the wheel and drive. The working-class emissaries of reverent alt-rock records should be on the radars of every rock aficionado keen to savour the best of contemporary rock. We can’t wait to hear what innovation they unleash next. Get It On was officially released on May 19; check it out on YouTube and Bandcamp. Review by Amelia Vandergast

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